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Tuesday, January 25, 2011
Friday, January 7, 2011
Seagate Stt320000a Driver
Carnivale
DOCTOR IN ALASKA
NX is a fascinating mix of genres, portrait of manners, well-intentioned comedy, drama philosophical traffic, ect ... but above all is a profound exploration of what it means to be human through the mythic, oneiric and fairy tales ...
The people of Cicely are restless spirits, their way of thinking and living is often inclined to freedom, tolerance and reflection Intellectual many times.
Fleishman is against not only the "odd" that introduces us into the world of Cicely but also the principal exponent of the contrast between nature and civilization, including a way of understanding the natural life and changes imposed by the progress ... usually represented by Joel, but not always, sometimes it's character that exemplified Maurice.
The Cicelyanos address the world by taking it as something natural, which characterizes the dynamics among the villagers is trust between them, how they are tolerated and even accepted to be tremendously different, This tolerant and cheerful attitude to life making Cicely in a mythical place, at the place where all like dwell, because it does not matter if you're someone like Maurice conservative or liberal, chaotic Chris, or neuro ; tico as Joel, or sweet as Shelly, ect ... all live together with open and respectful attitude that makes always find points of connection between them despite the differences.
This attitude to life, to which Joel refers to the end of the series, Cicely is a state of mind , is what makes this series into something more than a series in a way of understanding the world and live in it.
Cicely values became my primary education, perhaps because it coincided with my perceptions, but the influence of this series on my personality and understand how the world makes it perhaps the most important I've seen.
The people of Cicely often not understood, and collide, but they learn and find common ground, respect and trust each other, the sense of community is deep in the village, the only one who does not share this Joel's attitude, which is the viewer perplexed a completely unusual way of life in our society (consumer and adolescent).
cicelyano lifestyle, but that is almost a rare abnormality, Joel is a little symbol of the modern life, obsessed with status and consumption, Cicely seen as an alien in a strange land a, and at first his attitude is even hostile, but as the series progresses is not only attracted by the idea of belonging to the community but ultimately call into question his way of seeing the world and the importance it gives their possessions.
Learning Joel becomes the viewer's learning, and perhaps for that reason the series fails when new strange because then, as Joel, and we cicelyanos and we can not take that view again.
is significant that when we finally get what has been his obsession since the beginning, a chance to return home, Joel decides to stay and especially to renounce his possessions, no longer a symbol of waiver of a way of seeing and being, of living in the world possessing it, as opposed the cicelyanos, living with him .... Joel
transforms and only through this change of perspective is at last place, realizing that it is Cicely, which is not the place but the attitude towards life, a life attitude based on respect, tolerance and inner calm, something that once assimilated and will never leave you (again the pseudo grand final of the sixth, "Cicely is a state of mind " is actually more than that, is a "state of being "), so he returns to his city, but become a different person in one cicelyano, because what matters is not the facts or places but the way their eyes, something that the series highlights again and again, an example would visit the mother of Joel, who discovers during this time her true nature, or where Joel teaches the new doctor to look at things from another perspective ....
Is this trip, this teaching about life and how to live in it, respecting the different, tolerating the strange, comprising the near and far, living in peace with oneself and with others are so different they are, without trial, or prejudice, which makes Doctor in Alaska in the most important and significant (at life) of all fiction I've seen, on many levels, plus the value of series as such since it is a superbly structured work with some great dialogues, reflective and symbolic, with chapters that continue to raise new options, with a surreal way to translate the symbols
(if you want to show a complex, using the myths personify something that makes the series a fun experience in addition to intellectual, but it is not necessary to know the myths that used to understand the message, that is one of the great successes of the series, the way that reaches all alike, so timeless and significant)
always original, always thoughtful, and very human.
. "I was in love with the series, it was the only television drama absolutely devoid of violence. How can something done to stop it? "
Ruth commented on the interpretation of Anne, putting into words something that most fans of the series have felt at some point ...
In Cicely is a clear holistic way of looking at reality, seeing it as a whole, and thus tend to appear as the end all the human interest areas are interrelated, as the art and science can talking about the same, or myths and technology can converge, as dreams and reality can be two sides of the same coin, and finally, as everything can be seen from a different perspective, which is a way Bright learning to think, to teach find our own way of seeing things and respect of others, to teach to open our horizons and see beyond the obvious, in Northern Exposure always give you the turn the tables, forcing you to rethink your beliefs and prejudices, and like Joel, question you your views on reality.
" NX is a very smart plays with intertextuality, since they continuously produce references to literature, philosophy, mythology, music, legends, ect ... but but always addresses the issues intelligently, deepening almost moral messages about life, never gives lessons, is deeply respectful of the way of perceiving the world, not judge, does not give lectures, is limited to displaying and invite personal reflection, in a quasi-intelligent and intellectual, but with different reading levels to suit the viewer, and can be viewed as a set of manners and benevolent, or as a metaphor about life and how we accept, for example . "
Joel's character embodied many of the deep dichotomies pertaining to modern man, the scientific way of seeing and contemplating the world of Joel is also that of our society, as opposed to the almost magical way to understand the reality of cicelyanos (Ed and his spiritual guide, Magui listening to the language of trees, ect ...), is Fleishman paradigm of modern medicine, deeply rational and analytical versus shamanism and traditional ways of understanding the disease, in the series will show us both with deep respect
(one of the things that makes it so attractive Joel for the viewer, or at least to me, is how despite his prejudices strives to be kind to others, as with the shaman Uncle Ed at the beginning of the series, not a mockery of his beliefs despite not share and believe are silly, but his attitude is completely different Maguire)
Joel also embodies civilization versus the wild and beautiful in Alaska, which are so cicelyanos attuned (as Joel is significant anguish as open spaces and so nervous to fly freely, unlike the other inhabitants of the city, in several chapters shows us the union of their environment cicelyanos like when they meet to dismiss an old tree, and more particular title, the journey of Holling and Maurice, the way in which Anne and Ruth Holling nature photography instead to hunt, ect ... but as always in Cicely shows us the pros and cons of every situation, but is advocating a free and natural way of viewing the world, not judge specific behaviors, such as hunting , so Joel the man in the city, modern guy, sees it as something wild until Chris shows you how they see it as a way to integrate into the nature, the more tender it as Joel at the end get to understand the emotion of become a hunter but then cure the bird the shooter .....
Joel is generally more pragmatic reality versus a way of seeing reality more fantastic, but this assumption is modified and Throughout the series Joel attitudes change.
Although the series calls for respect and for not making value judgments, we note the positive trend to a lifestyle less civilized without losing sight of the improvements in progress, people like Maurice, a gourmet all, or Chris, we show closely linked to modern life, but at the same time able to integrate with a way of understanding the natural life, something that Joel is unable to do at first.
Contrasts abound in the series and not all linked to Joel, in many cases we are shown the different view of reality in which men versus women, always with a respectful view, without taking sides, the most interesting part of this is the non-stereotypical way in which characters are depicted, it is the paradigmatic case of two homosexuals, also avoid falling into parody of roles, such as when Chris tries to join a round table of women talking about childbirth ... because Chris can be seen as the modern man who seeks to merge without understanding masculinity and femininity that does not mean like a woman, Eva is brilliant as he snapped, s i want to feel like a woman, divide your salary by half .
intelligence of the series is to show how the boundaries that we are just fantasies that help us understand the world but are fictitious, the limits are diluted again and again, showing its fallacy.
The series is located at the border at many levels, the boundary between wild and civilized, between countries, between different ways of understanding the world, and representing one's own Alaska, the state of the last border, embodying the life border, within the limits of the civilized, his intelligence is to show how this boundary is mental, rather than real, and goes beyond it to teach us that in fact there are no differences dwell on the physical boundary and exterior or interior, we are not different from those that do not.
And that's the clearest message of the series, everyone is equal, no matter how different we are, and we are all part of the same.
NX shows again and again opposite ways of living and understanding the world, and always end up coming together, proving to be two sides of the same coin, finding a common language.
This makes it an amazing series, which is almost a treaty good life in Cicely there are characters who are almost paradigms of ways of seeing and living in the world.
Chris, which is embodied philosophy, analytical and deeply intellectual, always exploring, open to new experiences, as it has a way of facing the world with a deep intellectual curiosity, but like other characters series moves away from the stereotypes to be both a criminal, a rebellious iconoclast, but the dichotomy is only apparent, as the quintessential intellectual freedom should be so free.
Shelly, who is deeply pragmatic, live for today without worrying about the future and make the most of what life offers you is a sweet and receptive shows us emotionally full, much more aware of herself that Chris, more in touch with their emotions and something always know how you feel, but this almost natural wisdom is joined by a simple and stunning frivolity when understand their environment, Shelly is a cheerleader, and as such is a symbol of American culture, young, beautiful, blonde, cheerleader ... but falls for a sexagenarian and goes to live in Alaska.
and again NX plays with stereotypes to show his human side but also the absurdity when it comes to labeling people.
People like Maurice who embody the quintessential American turn out to have many nuances, Maurice is cultivated, rich, powerful, astronaut, patriot, but also is a man capable of loving nature in the wild, someone conservative who just associating with a gay couple, xenophobic just accepting and feeling proud of his son East, a man of principle which is always understanding what they have proved ineffective when it comes to understanding the world, Maurice is a man of a part that always ends removed, prejudices are often the prejudices of American society and perhaps more stereotyped This is the one most often seen as they are ruined and forced to rethink their worldview.
There is a however obvious contrast between the classic and traditional way to understand America is Maurice, and the modern, scientific and disbelieving that symbolizes Joel.
But the really brilliant in the series is as liberal Chris, who is almost Maurice nemesis not only just coming together again and again with this, and do not fail to find common ground, but which is also show prejudice as Chris and Maurice also can teach you things about life, because the characters in the series are complex and full of nuances, not fit easily into the molds.
At one point Maurice feels offended because Chris says Walt Whitman, one of the idols of Maurice, was gay, and at first Chris believes that homophobia is Maurice who speaks, but throughout the chapter we see how Maurice feared their idols turn to mud showing human weakness when he thinks that man needs illuminated symbols, without macula, although Chris disagrees just understanding their point of view and respect, and that is not the fact that Whitman likes men but this should not matter, or be mentioned, because what matters is the work of Whitman what angers Maurice.
All these characters are very different, often directly opposed, but always intermingled in a positive way, to the extent that these contrasts are usually displayed by couples maso less constant, as Chris and Maurice, I have already mentioned, and Joel Ed (Ed is an apprentice shaman, often talking to imaginary projections and phantasmagoric spiritual guides, is guided by signals and has a naive and open attitude towards life, the opposite of Joel, always analyzing everything and looking for explanations of everything, with an attitude closed and skeptical of the reality, just believe in what you see and question everything)
, Maguire and Joel (they are really quite neurotic and analytical the two, but while Maguire is open to new things, Joel contrary, the dichotomy here is female versus male, which also exemplifies the pair of Shelly and Holling, she deeply naive, sweet, young, and PRA CTIC, and the greatest intellectual, wild, very masculine),
Joel and Marilyn (he verbose, always anxious, needing to seek explanation of all, always judging and analyzing, it calmly, serenely, Taking life as it comes, silent and quiet, its dynamics is usually very funny and there's nothing more to Joel altering the deep serenity of Marilyn, so it is really beautiful in the last season to see how Marilyn discovers that Joel has really changed the attitude of Marilyn with Joel in this chapter, is extremely interesting and would give for a very interesting analysis of the attitude of the natives so they face more natural life to the citizens of the civilized world, always stressed),
Ed and Chris, (Chris is sophisticated, artist, philosopher, always looking for something new ... almost hedonistic, while Ed opposite is naive and almost naive, Ed tries to understand himself and the world as Chris but do so in very different ways, although both are artists, that is something that recurs in these couples, their differences are large but also their similarities, and are these the end what makes you understand more or less, to some, read Joel and Magui , it costs them more than others.
But the key to these relationships work is mutual tolerance and respect for the individuality of others, including Joel and Maguire (paradigms of gender isolation) do this at the end, though perhaps the most extreme opposites in the series, and that their opposition is that of the romantic comedy and often are placed at the ends of a cuestióny rarely admit to the other who had reason. Lei
the series creator Joshua Brand says there is no evolution. The characters are always the same because if they were not, it would be another series.
Brand I think relates to the personality of these people are very strong and never stop being who they are, except for Joel, modifying many aspects of his personality, somewhat cicelyanos are people too "done" and I guess that's what you mean, but evolution does not always involve changes in personality, but progress in attitude and approach, rethinking attitudes and learn from them and say this no evolution in the series, even if he says its creator, is so absurd that, or set the others did their backs or when speaking of evolution has a different concept to mine , most likely .
But NX is also a comedy, not only with the game romance between Joel and Magui opposition and continued disagreement sometimes bordering on the absurd but always fun, like when you delete Magui of his mind, literally, after a night of passion, but also a comedy of manners that plays with stereotypes and shows the vulnerable side of each character.
The game is a common misunderstanding but at the expense of Joel, the comic is the collision between the character of a character and function in a different context, for example we have Joel, a perfect specimen of their society, well-prepared to cope with modern life, completely ineffective in a different environment ...
(although Maurice and his prejudices are also the most common, such dreams fetish is the most humorous of the series) are generally unsuitable cicelyanos, border residents in many ways and many levels, but in this town find their place where they feel not only comfortable in your own skin, something that characterizes all cicelyano, and distinguishes Joel as strange until the end just to find the way to feel good about yourself, but also to their community, another aspect that unites them and makes them a community is a mutual solidarity, a strong sense of community despite being extreme individualists.
Cicely In some way you live and want to live, without explanation to anyone, and surprisingly it easier to understand the individuality of others, to respect it, and finish by understanding it, because you allow yourself to be your same, to live as you wish, in Cicely
inhabitants are tolerated with no effort but with joy, do not do an exercise in tolerance at the expense of its principles, but they demonstrate a love for life and for themselves to such a level that accept what is different with ease and affection, you are welcome with your quirks, because no one (besides Joel) not accept if mime or even hate, in one of the most interesting chapters Joel talks to himself and let clear how much is censored and what is judged harshly.
Joel is the only one who does not accept yourself, so it costs to accept others, and that is what makes so special Cicely, it is a place where people want to itself, enough to afford to be themselves, therefore, because they're in peace, respect for others, which does not make them saints, of course, are wrong, sometimes try impose their point of view, but always learning and always respect all the different. Cicely
is physically a wild, inhospitable, but close to the wild than the civilized, a place where man still has to struggle with nature for his safety spot, and that is also an integration fight, often the characters in Cicely, all pioneers and fighters, have just discovered that is the resistance which makes them open roads, but the union .... take the place of another, and sometimes the other is nature. Chris
discovered in a chapter that if you intend to use nature to your service, you may return the favor; Maurice that progress can not override nature, Joel just realizing that we are part of what we around ... cicelyanos but are not mystical, they are people of the limits, wrestlers, terrestrial, with a very simple attitude towards reality.
The contrast of their simple way of life often face opposition comically to Joel pretentious attitude, with its sophisticated New Yorkers, and his pompous way of expressing himself, at first thought over this simple people who has found a way to live at peace with itself, and is so fun how you react to discover such as the hermit who lives in a fancy cabin is a renowned specialist with a strong academic reputation.
Joel's prejudices collide with life in Cicely, where stereotypes show their true face of ineffective illusions of reality.
If Joel is the modern face of the past, civilization versus nature, ect, Maurice is the recipient of self-criticism of the series, since it is the quintessential American and unites in itself the best and worst thing about being American, in the words of Brand:
" really embodies Maurice best and worst qualities of what it means to be americano.Lo I admire most about Maurice and many of the other characters in NE, is that they are connected with the past, live in the present and look to future. "
One of the comic series is the way in which Joel reluctantly accepted as it is changing Cicely, does not enjoy this change, To him it is a horrible thing, to realize again and again as adopting an attitude just cicelyana dreads in a way he, the stranger, becoming one of them, and that scares him, because they are all that fear.
His transformation is so complete that ends in the end, something that is exaggerated, at least in the long term, but it inevitably happens that his catharsis for taking your wild side and magical, with the arrival of the new doctor is a wonderful chapter that shows the change in Joel, where it appears almost as a parody of cicelyano.
In the last chapters seems almost magical creature, appearing and disappearing and lost in the woods, almost a mythic mode, how to go eventually to the call of nature, he screams loud and clear from the beginning, is extreme and radical as stiff mode that clung to your modern world, so rigid and structured as his own thinking.
series likes to play with stereotypes, as I said, again and again reality shows or characters that conflict with these, from the more main characters like Chris, philosopher and rowdy, elements that create cicelyano universe, as some natives who are often deeply capitalist and advocate for change, or Maurice, usually the champion of progress, defending tradicióny history.
The contradictions of the modern world, as well as of human nature and reality are shown drawing the same location in the series, the creators make it clear this eagerness to tear down borders, or directly abolished.
Originally, Josh and John had planned to place the series in South America, as I said, but chose Alaska because except few spectators, no one knew what it was really Alaska. Our Alaska was really a landscape of imagination. Alaskan humorist writer, Tom Bodette, once wrote a letter to TV Guide disapproving the series so unrealistic it was. He did not understand the question. We do not we went to Alaska to follow reality, but to abolish it. In fact, we went there to pursue a greater reality. It was our own little world where everything was possible, we had rules, we were consistent but, as we used to say, our little town was "two feet off the ground." Not higher than it wanted and certainly did not want either to return to reality tierra.discutimos hitting the personality of Cicely, Alaska, as a benign universe where one would ideally like to live
And it worked, in a perfect way, like a good recipe, all parts needed or transformed into something else, and that was part of the magic of the series, almost supernatural that balance between a point and the other, without ever slipping into excessive,
always been more than a series, was a teacher, much of my values are learned in Cicely, much of my concerns arose then, listening to Chris lecturing, Ed Joel exploring or questioning everything, its inhabitants old friends are still too close all to pick favorites, Cicely, as Joel discovers in the end, is indeed a state of mind.
* written in italics is a quote, but in most cases not remember where I read it but I signed up because I'm interested ..
DOCTOR IN ALASKA
NX is a fascinating mix of genres, portrait of manners, well-intentioned comedy, drama philosophical traffic, ect ... but above all is a profound exploration of what it means to be human through the mythic, oneiric and fairy tales ...
The people of Cicely are restless spirits, their way of thinking and living is often inclined to freedom, tolerance and reflection Intellectual many times.
Fleishman is against not only the "odd" that introduces us into the world of Cicely but also the principal exponent of the contrast between nature and civilization, including a way of understanding the natural life and changes imposed by the progress ... usually represented by Joel, but not always, sometimes it's character that exemplified Maurice.
The Cicelyanos address the world by taking it as something natural, which characterizes the dynamics among the villagers is trust between them, how they are tolerated and even accepted to be tremendously different, This tolerant and cheerful attitude to life making Cicely in a mythical place, at the place where all like dwell, because it does not matter if you're someone like Maurice conservative or liberal, chaotic Chris, or neuro ; tico as Joel, or sweet as Shelly, ect ... all live together with open and respectful attitude that makes always find points of connection between them despite the differences.
This attitude to life, to which Joel refers to the end of the series, Cicely is a state of mind , is what makes this series into something more than a series in a way of understanding the world and live in it.
Cicely values became my primary education, perhaps because it coincided with my perceptions, but the influence of this series on my personality and understand how the world makes it perhaps the most important I've seen.
The people of Cicely often not understood, and collide, but they learn and find common ground, respect and trust each other, the sense of community is deep in the village, the only one who does not share this Joel's attitude, which is the viewer perplexed a completely unusual way of life in our society (consumer and adolescent).
cicelyano lifestyle, but that is almost a rare abnormality, Joel is a little symbol of the modern life, obsessed with status and consumption, Cicely seen as an alien in a strange land a, and at first his attitude is even hostile, but as the series progresses is not only attracted by the idea of belonging to the community but ultimately call into question his way of seeing the world and the importance it gives their possessions.
Learning Joel becomes the viewer's learning, and perhaps for that reason the series fails when new strange because then, as Joel, and we cicelyanos and we can not take that view again.
is significant that when we finally get what has been his obsession since the beginning, a chance to return home, Joel decides to stay and especially to renounce his possessions, no longer a symbol of waiver of a way of seeing and being, of living in the world possessing it, as opposed the cicelyanos, living with him .... Joel
transforms and only through this change of perspective is at last place, realizing that it is Cicely, which is not the place but the attitude towards life, a life attitude based on respect, tolerance and inner calm, something that once assimilated and will never leave you (again the pseudo grand final of the sixth, "Cicely is a state of mind " is actually more than that, is a "state of being "), so he returns to his city, but become a different person in one cicelyano, because what matters is not the facts or places but the way their eyes, something that the series highlights again and again, an example would visit the mother of Joel, who discovers during this time her true nature, or where Joel teaches the new doctor to look at things from another perspective ....
Is this trip, this teaching about life and how to live in it, respecting the different, tolerating the strange, comprising the near and far, living in peace with oneself and with others are so different they are, without trial, or prejudice, which makes Doctor in Alaska in the most important and significant (at life) of all fiction I've seen, on many levels, plus the value of series as such since it is a superbly structured work with some great dialogues, reflective and symbolic, with chapters that continue to raise new options, with a surreal way to translate the symbols
(if you want to show a complex, using the myths personify something that makes the series a fun experience in addition to intellectual, but it is not necessary to know the myths that used to understand the message, that is one of the great successes of the series, the way that reaches all alike, so timeless and significant)
always original, always thoughtful, and very human.
. "I was in love with the series, it was the only television drama absolutely devoid of violence. How can something done to stop it? "
Ruth commented on the interpretation of Anne, putting into words something that most fans of the series have felt at some point ...
In Cicely is a clear holistic way of looking at reality, seeing it as a whole, and thus tend to appear as the end all the human interest areas are interrelated, as the art and science can talking about the same, or myths and technology can converge, as dreams and reality can be two sides of the same coin, and finally, as everything can be seen from a different perspective, which is a way Bright learning to think, to teach find our own way of seeing things and respect of others, to teach to open our horizons and see beyond the obvious, in Northern Exposure always give you the turn the tables, forcing you to rethink your beliefs and prejudices, and like Joel, question you your views on reality.
" NX is a very smart plays with intertextuality, since they continuously produce references to literature, philosophy, mythology, music, legends, ect ... but but always addresses the issues intelligently, deepening almost moral messages about life, never gives lessons, is deeply respectful of the way of perceiving the world, not judge, does not give lectures, is limited to displaying and invite personal reflection, in a quasi-intelligent and intellectual, but with different reading levels to suit the viewer, and can be viewed as a set of manners and benevolent, or as a metaphor about life and how we accept, for example . "
Joel's character embodied many of the deep dichotomies pertaining to modern man, the scientific way of seeing and contemplating the world of Joel is also that of our society, as opposed to the almost magical way to understand the reality of cicelyanos (Ed and his spiritual guide, Magui listening to the language of trees, ect ...), is Fleishman paradigm of modern medicine, deeply rational and analytical versus shamanism and traditional ways of understanding the disease, in the series will show us both with deep respect
(one of the things that makes it so attractive Joel for the viewer, or at least to me, is how despite his prejudices strives to be kind to others, as with the shaman Uncle Ed at the beginning of the series, not a mockery of his beliefs despite not share and believe are silly, but his attitude is completely different Maguire)
Joel also embodies civilization versus the wild and beautiful in Alaska, which are so cicelyanos attuned (as Joel is significant anguish as open spaces and so nervous to fly freely, unlike the other inhabitants of the city, in several chapters shows us the union of their environment cicelyanos like when they meet to dismiss an old tree, and more particular title, the journey of Holling and Maurice, the way in which Anne and Ruth Holling nature photography instead to hunt, ect ... but as always in Cicely shows us the pros and cons of every situation, but is advocating a free and natural way of viewing the world, not judge specific behaviors, such as hunting , so Joel the man in the city, modern guy, sees it as something wild until Chris shows you how they see it as a way to integrate into the nature, the more tender it as Joel at the end get to understand the emotion of become a hunter but then cure the bird the shooter .....
Joel is generally more pragmatic reality versus a way of seeing reality more fantastic, but this assumption is modified and Throughout the series Joel attitudes change.
Although the series calls for respect and for not making value judgments, we note the positive trend to a lifestyle less civilized without losing sight of the improvements in progress, people like Maurice, a gourmet all, or Chris, we show closely linked to modern life, but at the same time able to integrate with a way of understanding the natural life, something that Joel is unable to do at first.
Contrasts abound in the series and not all linked to Joel, in many cases we are shown the different view of reality in which men versus women, always with a respectful view, without taking sides, the most interesting part of this is the non-stereotypical way in which characters are depicted, it is the paradigmatic case of two homosexuals, also avoid falling into parody of roles, such as when Chris tries to join a round table of women talking about childbirth ... because Chris can be seen as the modern man who seeks to merge without understanding masculinity and femininity that does not mean like a woman, Eva is brilliant as he snapped, s i want to feel like a woman, divide your salary by half .
intelligence of the series is to show how the boundaries that we are just fantasies that help us understand the world but are fictitious, the limits are diluted again and again, showing its fallacy.
The series is located at the border at many levels, the boundary between wild and civilized, between countries, between different ways of understanding the world, and representing one's own Alaska, the state of the last border, embodying the life border, within the limits of the civilized, his intelligence is to show how this boundary is mental, rather than real, and goes beyond it to teach us that in fact there are no differences dwell on the physical boundary and exterior or interior, we are not different from those that do not.
And that's the clearest message of the series, everyone is equal, no matter how different we are, and we are all part of the same.
NX shows again and again opposite ways of living and understanding the world, and always end up coming together, proving to be two sides of the same coin, finding a common language.
This makes it an amazing series, which is almost a treaty good life in Cicely there are characters who are almost paradigms of ways of seeing and living in the world.
Chris, which is embodied philosophy, analytical and deeply intellectual, always exploring, open to new experiences, as it has a way of facing the world with a deep intellectual curiosity, but like other characters series moves away from the stereotypes to be both a criminal, a rebellious iconoclast, but the dichotomy is only apparent, as the quintessential intellectual freedom should be so free.
Shelly, who is deeply pragmatic, live for today without worrying about the future and make the most of what life offers you is a sweet and receptive shows us emotionally full, much more aware of herself that Chris, more in touch with their emotions and something always know how you feel, but this almost natural wisdom is joined by a simple and stunning frivolity when understand their environment, Shelly is a cheerleader, and as such is a symbol of American culture, young, beautiful, blonde, cheerleader ... but falls for a sexagenarian and goes to live in Alaska.
and again NX plays with stereotypes to show his human side but also the absurdity when it comes to labeling people.
People like Maurice who embody the quintessential American turn out to have many nuances, Maurice is cultivated, rich, powerful, astronaut, patriot, but also is a man capable of loving nature in the wild, someone conservative who just associating with a gay couple, xenophobic just accepting and feeling proud of his son East, a man of principle which is always understanding what they have proved ineffective when it comes to understanding the world, Maurice is a man of a part that always ends removed, prejudices are often the prejudices of American society and perhaps more stereotyped This is the one most often seen as they are ruined and forced to rethink their worldview.
There is a however obvious contrast between the classic and traditional way to understand America is Maurice, and the modern, scientific and disbelieving that symbolizes Joel.
But the really brilliant in the series is as liberal Chris, who is almost Maurice nemesis not only just coming together again and again with this, and do not fail to find common ground, but which is also show prejudice as Chris and Maurice also can teach you things about life, because the characters in the series are complex and full of nuances, not fit easily into the molds.
At one point Maurice feels offended because Chris says Walt Whitman, one of the idols of Maurice, was gay, and at first Chris believes that homophobia is Maurice who speaks, but throughout the chapter we see how Maurice feared their idols turn to mud showing human weakness when he thinks that man needs illuminated symbols, without macula, although Chris disagrees just understanding their point of view and respect, and that is not the fact that Whitman likes men but this should not matter, or be mentioned, because what matters is the work of Whitman what angers Maurice.
All these characters are very different, often directly opposed, but always intermingled in a positive way, to the extent that these contrasts are usually displayed by couples maso less constant, as Chris and Maurice, I have already mentioned, and Joel Ed (Ed is an apprentice shaman, often talking to imaginary projections and phantasmagoric spiritual guides, is guided by signals and has a naive and open attitude towards life, the opposite of Joel, always analyzing everything and looking for explanations of everything, with an attitude closed and skeptical of the reality, just believe in what you see and question everything)
, Maguire and Joel (they are really quite neurotic and analytical the two, but while Maguire is open to new things, Joel contrary, the dichotomy here is female versus male, which also exemplifies the pair of Shelly and Holling, she deeply naive, sweet, young, and PRA CTIC, and the greatest intellectual, wild, very masculine),
Joel and Marilyn (he verbose, always anxious, needing to seek explanation of all, always judging and analyzing, it calmly, serenely, Taking life as it comes, silent and quiet, its dynamics is usually very funny and there's nothing more to Joel altering the deep serenity of Marilyn, so it is really beautiful in the last season to see how Marilyn discovers that Joel has really changed the attitude of Marilyn with Joel in this chapter, is extremely interesting and would give for a very interesting analysis of the attitude of the natives so they face more natural life to the citizens of the civilized world, always stressed),
Ed and Chris, (Chris is sophisticated, artist, philosopher, always looking for something new ... almost hedonistic, while Ed opposite is naive and almost naive, Ed tries to understand himself and the world as Chris but do so in very different ways, although both are artists, that is something that recurs in these couples, their differences are large but also their similarities, and are these the end what makes you understand more or less, to some, read Joel and Magui , it costs them more than others.
But the key to these relationships work is mutual tolerance and respect for the individuality of others, including Joel and Maguire (paradigms of gender isolation) do this at the end, though perhaps the most extreme opposites in the series, and that their opposition is that of the romantic comedy and often are placed at the ends of a cuestióny rarely admit to the other who had reason. Lei
the series creator Joshua Brand says there is no evolution. The characters are always the same because if they were not, it would be another series.
Brand I think relates to the personality of these people are very strong and never stop being who they are, except for Joel, modifying many aspects of his personality, somewhat cicelyanos are people too "done" and I guess that's what you mean, but evolution does not always involve changes in personality, but progress in attitude and approach, rethinking attitudes and learn from them and say this no evolution in the series, even if he says its creator, is so absurd that, or set the others did their backs or when speaking of evolution has a different concept to mine , most likely .
But NX is also a comedy, not only with the game romance between Joel and Magui opposition and continued disagreement sometimes bordering on the absurd but always fun, like when you delete Magui of his mind, literally, after a night of passion, but also a comedy of manners that plays with stereotypes and shows the vulnerable side of each character.
The game is a common misunderstanding but at the expense of Joel, the comic is the collision between the character of a character and function in a different context, for example we have Joel, a perfect specimen of their society, well-prepared to cope with modern life, completely ineffective in a different environment ...
(although Maurice and his prejudices are also the most common, such dreams fetish is the most humorous of the series) are generally unsuitable cicelyanos, border residents in many ways and many levels, but in this town find their place where they feel not only comfortable in your own skin, something that characterizes all cicelyano, and distinguishes Joel as strange until the end just to find the way to feel good about yourself, but also to their community, another aspect that unites them and makes them a community is a mutual solidarity, a strong sense of community despite being extreme individualists.
Cicely In some way you live and want to live, without explanation to anyone, and surprisingly it easier to understand the individuality of others, to respect it, and finish by understanding it, because you allow yourself to be your same, to live as you wish, in Cicely
inhabitants are tolerated with no effort but with joy, do not do an exercise in tolerance at the expense of its principles, but they demonstrate a love for life and for themselves to such a level that accept what is different with ease and affection, you are welcome with your quirks, because no one (besides Joel) not accept if mime or even hate, in one of the most interesting chapters Joel talks to himself and let clear how much is censored and what is judged harshly.
Joel is the only one who does not accept yourself, so it costs to accept others, and that is what makes so special Cicely, it is a place where people want to itself, enough to afford to be themselves, therefore, because they're in peace, respect for others, which does not make them saints, of course, are wrong, sometimes try impose their point of view, but always learning and always respect all the different. Cicely
is physically a wild, inhospitable, but close to the wild than the civilized, a place where man still has to struggle with nature for his safety spot, and that is also an integration fight, often the characters in Cicely, all pioneers and fighters, have just discovered that is the resistance which makes them open roads, but the union .... take the place of another, and sometimes the other is nature. Chris
discovered in a chapter that if you intend to use nature to your service, you may return the favor; Maurice that progress can not override nature, Joel just realizing that we are part of what we around ... cicelyanos but are not mystical, they are people of the limits, wrestlers, terrestrial, with a very simple attitude towards reality.
The contrast of their simple way of life often face opposition comically to Joel pretentious attitude, with its sophisticated New Yorkers, and his pompous way of expressing himself, at first thought over this simple people who has found a way to live at peace with itself, and is so fun how you react to discover such as the hermit who lives in a fancy cabin is a renowned specialist with a strong academic reputation.
Joel's prejudices collide with life in Cicely, where stereotypes show their true face of ineffective illusions of reality.
If Joel is the modern face of the past, civilization versus nature, ect, Maurice is the recipient of self-criticism of the series, since it is the quintessential American and unites in itself the best and worst thing about being American, in the words of Brand:
" really embodies Maurice best and worst qualities of what it means to be americano.Lo I admire most about Maurice and many of the other characters in NE, is that they are connected with the past, live in the present and look to future. "
One of the comic series is the way in which Joel reluctantly accepted as it is changing Cicely, does not enjoy this change, To him it is a horrible thing, to realize again and again as adopting an attitude just cicelyana dreads in a way he, the stranger, becoming one of them, and that scares him, because they are all that fear.
His transformation is so complete that ends in the end, something that is exaggerated, at least in the long term, but it inevitably happens that his catharsis for taking your wild side and magical, with the arrival of the new doctor is a wonderful chapter that shows the change in Joel, where it appears almost as a parody of cicelyano.
In the last chapters seems almost magical creature, appearing and disappearing and lost in the woods, almost a mythic mode, how to go eventually to the call of nature, he screams loud and clear from the beginning, is extreme and radical as stiff mode that clung to your modern world, so rigid and structured as his own thinking.
series likes to play with stereotypes, as I said, again and again reality shows or characters that conflict with these, from the more main characters like Chris, philosopher and rowdy, elements that create cicelyano universe, as some natives who are often deeply capitalist and advocate for change, or Maurice, usually the champion of progress, defending tradicióny history.
The contradictions of the modern world, as well as of human nature and reality are shown drawing the same location in the series, the creators make it clear this eagerness to tear down borders, or directly abolished.
Originally, Josh and John had planned to place the series in South America, as I said, but chose Alaska because except few spectators, no one knew what it was really Alaska. Our Alaska was really a landscape of imagination. Alaskan humorist writer, Tom Bodette, once wrote a letter to TV Guide disapproving the series so unrealistic it was. He did not understand the question. We do not we went to Alaska to follow reality, but to abolish it. In fact, we went there to pursue a greater reality. It was our own little world where everything was possible, we had rules, we were consistent but, as we used to say, our little town was "two feet off the ground." Not higher than it wanted and certainly did not want either to return to reality tierra.discutimos hitting the personality of Cicely, Alaska, as a benign universe where one would ideally like to live
And it worked, in a perfect way, like a good recipe, all parts needed or transformed into something else, and that was part of the magic of the series, almost supernatural that balance between a point and the other, without ever slipping into excessive,
always been more than a series, was a teacher, much of my values are learned in Cicely, much of my concerns arose then, listening to Chris lecturing, Ed Joel exploring or questioning everything, its inhabitants old friends are still too close all to pick favorites, Cicely, as Joel discovers in the end, is indeed a state of mind.
* written in italics is a quote, but in most cases not remember where I read it but I signed up because I'm interested ..
Scanner High Quality Flatbed
NX
CARNIVALE
Carnivale is a fascinating series, with a beautiful aesthetic, reminiscent of Steinbeck's narrative, and like most fiction that captivates me is a hybrid multidimensional social
Reflection on the tough Depression-era American narrative of the fantastic and mythical, historical document, tragedy, epic, all tempered by a visual extremely carefully, with a color palette that favors the sepia and earth tones in the manner of old photographs (which gives a unique visual look very beautiful) and a dreamlike tone and evocative than ever avoids the sordid and terrible in his speech, which sometimes leads us into the realm of those nightmares from which you fail to awaken and become something oppressive and strange (for example in the magnificent episode of Babylon ), with a careful staging, a schedule full of amazing drawings and magical unusual force, a dazzling production design and very detailed, including a subtly beautiful soundtrack, simply captivating ... ...
series Carnivale is always had wanted to see, somehow the story of a mythical journey through a land almost dead, a convoy of foreign sliding down a dying world, where evil men become the salvation of the desperate, and where men good are persecuted, has been always waiting to be told. Carnivale
not easily exhaust their meanings, or their reflections. The reference film
most immediate and serious Todd Browning Freaks , but it shares the visual environment, not the optics, as in Browning's film of the carnival people are "strangers os " seeking to be respected in their uniqueness (although in the end prove to be like others in its worst aspects) and unlike the one where the "strange" comes from the "normal" by subjecting them to brutal ostracism, Carnivale characters are paradigmatic of the human, not the "strange", but on the contrary, shows the fragile, complex and vulnerable, in a boo ; Search constant, since as all sorts of travel, not just a trip abroad American geography is Biblical, but also an inner journey ...
(this is something they share some of my favorite series, not only Carnivale, or Galactica or Supernatural where foreign travel is a reflection of the inner journey, but in general most of the series where he takes a personal journey of discovery and redemption often)
Catch from the first chapter (well, at least in my case), although the pace is slow in the first part of the first season, he will take the body as it progresses, its iconography is clear, nothing convoluted, and very evocative, with very little spread much, creating a story halfway between the social portrait (sometimes it works almost like a visual document, showing all the harshness and misery of a time and place where it was very easy to believe that the devil was incarnated in the world), psychological and archetypal, which are perhaps the best characters I've ever seen built, or nearly ... ... ... .
could not stop to praise this series, but I think that I was halfway through the first season when I bought the full pack I made it clear that my passion for it, but after seeing an episode like Babylon I knew I would love this series as much as its level drops, and the fact but it did not go spilling my expectations, and very high from the pilot (I have rarely felt this excited to see a pilot, a feeling that will take me far away and the pleasure of anticipation because felt it would be a memorable trip ... ... ...)
's story Carnivale is neither easy nor simple, dares to dive in complex human emotions in a profound way and no moralist, I attract a lot of these stories are not afraid to dive into obscure and complex aspects of human nature, almost always the best.
The backdrop, which is progressively revealed as the main stage, is an ancestral and mythic struggle between two opposing forces that are confused and over again until converging on
character END SPOILER
sophie, which becomes the omega, the end of everything and therefore the beginning, a new kind of avatar you start a new era and set point and followed a history that can not be final but perhaps she enters a new level of meaning ...
Although the final conclusion so open in fact, had not made the final choice of Sofie inevitable the series would finish with a final appearance also open but closed in brilliant fashion history (in the manner of a final brilliant open like Angel ), placing it as an eternal battle that inevitably will never end, but the character poses Sofie a series of questions that leave the story at the start of something new, at least cost me to conclude that she was the daughter of Justin and not of Scudder as I suggested the image of rape her mother as well as the iconographic signs placed it as a new avatar of the dark, I even believe that it was the daughter of Russian, Apollonia attempt to kill me convinced that it was Scudder's daughter and was so evocative that she and Ben were brothers, light and dark twin and opposite, and the scene that was full of symbols lie about it, which is supported in part but lost in my opinion some symbolism to reveal who her father is ...
the end she was the omega, the end of the battle, able to heal as Ben but with the power of what the situation Justin halfway, despite the visions that told him that was in the wrong place, and the fact that revives the dead prophet of his house, when the succession would occur if you kill, besides that apparently the bloodline becomes avatar in men and not women ...
What is the character of Sofie could lead to a whole new season, the final decision Sofie to know if it's not really free because its dark side seems to have overtaken her, but we have seen that Scudder found a way to destroy their identity and give up its role and even Justin tried to get away from your destination, and in any case, Sofie has a destiny to fulfill? Because it seems to have come to destroy the employer, not to confirm, contrary to Justin and Ben, she has no role in writing and may change the rules, is an anomaly, and as such is the uncertainty ...
The possibilities for plot development in that are endless and fascinating sense, and yet I can overcome intrigued by the possibilities that end but emotionally is what hurts me the most is the final cancellation of Jonesy, too unfair after all the suffering of the character I can not accept just die like that so absurd, after the terrible punishment he suffers unjustly and rescue in extremis Ben, Libby punishment of waiting, the endless pain of Rita Sue, (that big this woman!) the tremendous death is too unfair to me and unbearable, I need to say goodbye to them leaving together trying to cling to some hint of happiness however ephemeral it may be, but it is a pessimistic picture, after a long road of pain and search Jonesy die at the hands of the idealized woman is unnecessary, the hopelessness of the series in general not justified ... END SPOILERS
tend to mention is Twin Peaks and Lynch to talk about this series, but surely the number of Lynch was a way on the Carnivale passes, what they really have in common is Anderson, who played the dwarf dancing Samson in the first and in this case, and although they share the tone of dreams, Carnivale parodic tone lacks the other, as well as his unsettling portrayal of everyday people viewed from a perspective almost delirious.
Carnivale historical film is almost classic in its own way of telling, and a clear symbolism, and nothing tricky, far removed from the set of Lynch, playing with the viewer, Carnivale keys that provide step by step along with a visual iconography which translates directly into the plot, are the opposite, the story takes a while to fit all their pieces, but when you start the second season and have the whole story in your hands,
SPOILERS removing perhaps to least in my case, the surprise about who was the real father of Sophie , END SPOILERS
The struggle between the avatars, their eternal struggle full of religious icons as well as repetitive signs and symbols is nothing confusing and in fact this perfectly proportioned to the fortunes vital members of that Carnivale of lost souls who nevertheless are more awake than all those workers who live in poverty, or those who survive the madness, all easily manageable for the priest (whose words seduce the hearts by talking about strength and power to the hopeless longings impossible).
But the strength of the series lies mainly in a gallery of amazing, especially the family of the weak father, constantly cheated himself, who sells your family for pennies, this amazing woman, fragile and strong, halfway between the heroine and villain, a character that makes astounding in its depth, absolutely tragic, or daughters vulnerable, exposed to abuse and humiliation, especially Libby, the girl who grows step by step, dreaming of something different, to end his life by joining a good man, the man that his mother would see her father.
Jonesy, a good man, and integrated, it almost seems a recreation of the character of Glen Ford The Grapes Of Wrath , the John Ford film , that kind of honest man who is the quintessential American hero, strong, noble and hard, with a heart of gold and buried much tenderness, not coincidentally the real heart of the fair, since it is he and his men who are responsible for keeping it going every night, keeping its structure up to very little.
Carnivale is at last a lifetime trip, an experience that goes beyond the usual on television.
.
Nepali Movie Ashirbad
on tv series and
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and TV series on ...
" is great to be on TV now, this medium is in its infancy and This is because you have to pause every ten or 15 minutes to sell toilet paper in an environment so can not develop any force, or do anything that makes mature art, HBO is almost like being in the film industry 30 years ago when they began to discover the power of the medium, I think it's great to have, can tell, is like a novel, you could not do in a movie, and we can do now what kind of narrative that we use is very different, much decorated, if you read a novel of 800 or 900 pages, and you're on page 50 and say "not yet been any persecution n " obviously you have never read a novel of 400 or 500 pages but once you get into the novel that brings a sense decorated, and once you understand, I really identify with the characters, you're in their world and know what is at stake, so far, at least in the movies, has been difficult to make this kind of story, I know that viewers are concerned, because the last thing they want is to reach page 450 of a novel 900 and see a clown with an expensive suit and teeth with pockets and take away the novel of the hands and throw it out the window of the car but thank god not deal with such people and HBO is committed to telling the story until the end "
Daniel Knauff, creator of Carnivale (Paley festival, English DVD edition).
Apart from the sad irony is that the series was canceled by HBO without finishing the story, revealing that even a selected channel as it remains, like all others, a company makes a Knauff interesting reflection on the narrative possibilities of the television series. And your comment
me serves as a party to rave a bit about television current.
I have a feeling that in recent years, but it seems to take itself seriously to begin to realize its enormous potential as it has several unquestionable advantages compared to the movies (even though they the same elements, image, text and sound, are not equivalent ):
-The possibility of developing a character for years, giving it a multi-dimensionality that sometimes it is impossible to expose film (despite there are exceptions), subject to the most diverse situations and exploring all the possibilities of it.
"The opportunity to explore a "universe" even in the most minute details, so as to "play" with himself and even his language. Being a medium that expands over time continually multiply options, the "experiments" become more feasible, especially in recent times, where TV makers have become more daring and original.
-The usual bet by the choir, which in film suffers from the inevitable period, (obviously more soon) that makes clear tracking of multiple characters.
-La interaction with the viewer as being a product that develops over months (and this is something that is multiplied by the internet) allows not only a set of references in both directions but the viewer feel part of the universe in the series (thanks to the work sites , forums, blogs and chat rooms that allow the viewer to a level of involvement with the work than any movie, which is always a product already finished).
And the emphasis of the figure of the writer (the figure of showrunner has already become quite popular and is the "author" visible in television fiction) on the director, while film tends to happen just reverse, television is the stronghold of the writers, who become the stars of the show, and therefore feel more comfortable and dare to dig deeper with more daring than the average production type blockbusters. Dialogs and support frames
the best series on television, where the predominant narrative language, and fortunately are most frequently accompanied by a progressive improvement in the visual and technical.
is obvious that television is entering a new phase where its artistic importance was recognized at last, has ceased to be pure entertainment to match the film or the novel as a vehicle for the work of art.
The film takes more time exploring its language, television seems to have some fear of it, almost to the first trailer, there are films that are authentic visual poetry, television is a visual language , subject to the narrative and is more functional, but that is something that begins to change, maybe David Lynch would be the pioneer of this in Twin Peaks, and among the most recent would be wonders like Carnivale Breaking Bad or and dazzling, saturated photography ...
phenomena in recent years as the Lost has made series of blogs proliferate, and that figure has emerged as sister seriéfilo lifelong film buff (when at other times he looked down the television product, as a rule).
Added to this is what blogs have brought themselves seriéfilos proliferating across the network (and in general are the most entertaining, but have revealed that the average English has a serious problem with spelling, and accents I do not mean that in many cases depend on keyboards, but forget Hs, Vs and Bs and change similar aberrations ... it is at least disturbing horrific find faults in texts otherwise pleasant and intelligent)
It is fascinating that we can now discuss and debate all products we enjoy in our classrooms, interaction with the work of art (understood as creation, without getting to debate quality) has become common (but it is hard to resist to comment and analyze what we like with other fans).
I guess it's a phenomenon experts in art, communication and probably have noticed there are serious academic articles on this that would be interesting to find in the network available to any interested party (the next step of the network should be put culture available to everyone as libraries work and the internet is an amazing step in the dissemination of culture), but the less experienced to look at it with curiosity, but we can discuss it with less knowledge of course, but perhaps a more direct way because we are part of the phenomenon (I think it's always interesting to observe things from multiple perspectives, to know the opinion of the fans in addition to the student)
In some ways the Internet has standardized the freak making it the most desirable and empowering consumers the interior fan's average public (obviously the commercial interest of this, of course), but for someone like me who has grown up feeling a bit "weirdo" for his fondness for film, television co , mics, and genres like science fiction, horror and fantasy, we are in an era in this amazing sense.
One was where to show your passion for the stories not only not regarded with suspicion, but it is shared and even valued, internet facilitates standardization of the few behaviors that were not yet especially socially integrated.
Most of my generation (born in 1978) grew up with television, the same television, and this common heritage reminds us of the same series and programs, which now is apparently more difficult, and yet, although supply has increased so obvious, we are seeing same series, and in general all current TV viewer recognizes characters like Dexter , identifies the format of CSI although not usually watch the show, or know Lost .
guess this is due to multiple factors, from the tendency to cluster around certain criteria that justify our own, to social or cultural values, through the importance of advertising in media products. [Thanks to the network several series have become a symbol of quality, and are praised in the blogosphere as such, as well as others are ignored for not being among the favorites of the gurus of the medium, we just have to read a little here and there it is obvious that the opinions of a few affect the many and perpetuate the same ratings everywhere. (It is practically impossible to find such criticism on The Sopranos not to consider the series a milestone and a crucial series, which is probably true but a bit absurd that so many people have practically the same opinion)]
Finally, at the height of the TV series are likely to affect many more elements that the progressive increase in the average quality of its productions, but it is undeniable that in recent years have seen exciting products to fans to good stories we are doing very happy.
as Series Breaking Bad, Carnivale , Battlestar Galactica, Doctor in Alaska, Big Love, Supernatural, Deadwood, ect ... exploit the full potential of means to present multi-dimensional characters, so full of edges, so complex and human as Walter White, Jesse Pinkman of Breaking Bad , Rita Sue, Jonesy, Iris or brother Justin in Carnivale or the president Roslan, Adama, Starbuck and Gaius Baltar Galactica , A series of options to deepen the characters' psychology can be amazing, and over several seasons the opportunity to grow with these characters and explore their psyche knows no bounds.
may be a simple matter of time, the possibilities to deepen a character over a minimum of 12 hours is inevitably greater than over 2, and although the TV does not always exploit this potential and are often presented flat characters, one piece, static, that fit their profile without any changes, thankfully for me it is something that is very important, this trend is changing ...
( the possibilities of playing with flat or stereotyped characters on the other side are many, but I think generally I work best in comedy, where characters' inability to move or change is often one of the elements ed monkeys or the motor directly to the development of comedy (in NX for example played a lot with his inability to Joel, although the series allowed her to grow post), so even any good sitcom resignation of all the evolution of his characters, and lots of good series play with stereotypes to show the underlying human possibilities or give them a twist making us reflect on our biases)
The film is therefore more immediate uses over synthesis, and needed to be transmitted much , fast and before long, television can afford to take time when developing a character (many of my favorites soon introduce an entire season in his universe and its characters, it's obviously not something the film can do) but do not consider ineffectiveness on the part of the series but simply exploring a different language, and is one of the most interesting aspects of the television, which although a similar method to the movies has a different potential that is only now really beginning to be explored.
A series can afford to be simmered, find the language and the keys to the universe step by step as Knauff said more clearly in the movie if you do that you risk having half the audience will have get abandoned long before, on TV can not only afford but also is a convenient option to get immersed in that universe to the public almost without realizing it, (although usually the episodes autoconclusivos are very useful for attract initial attention).
For example you can not give any information about the characters in the pilot and take time to show us a trauma or a specific feature, and in any case every season not only enriches the universe of the series but the psychology character in the film that is much harder to do and usually the characters are presented to us at the beginning of a more schematic way, the chances of evolution tend to be more limited.
I have nothing against the procedural but no less an attempt to emulate the film, television can have a different language and we are in moment seems to be discovering ....
One of the features that are making the series a little more interesting than much of the film is being produced, as I said at the beginning of the post, is the possibility of playing with themselves, or metalinguistic games intertextual, something few films explore, so to speak, suddenly comes to mind as Being John Malkovich , but rare is the TV series and not play at some point to these elements, enriching a language that is still discovering their full potential. Joss Whedon became
an episode of Buffy a metaphor about language and its deficiencies through lack of words in almost the majority of the episode. series like Larry David or hybridize The Office formats, live improvisation of the first and the second documentary, satire, both become something new. In Supernatural play with the meta and the writers become characters in her work in a game of mirrors carried to its logical conclusion in the final season (because I think the fifth is the final season). There
series with flat characters that are entertained force of charisma and fun frames, an example would Stargate Atlantis where they create characters with few strokes and cling to them. There is no objection, have their moment and entertain a lot, get Mackay screwing up yet again it's funny and has merit, but what really captivates the series (at least in my case !) is the ability to delve into the psychology of the characters in a mature way.
personal level, in general, unless specific exceptions are characters that I fall in love and they go down in history, though I see the history series, never Like hooked me, of course not only figures need also imagination, for it among my favorite shows are Doctor Who Buffy or, for that spirit of wonder which Hugo spoke Gernsback imprenscindible to me, as Walter would say ( Fringe ) , open your mind to the world and get surprised somehow Walter stare each series as each new body, ; as a world full of possibilities!
But at the end of television as well as que el cine, está constituida por historias sobre personas, y son las historias las que nos gustan, en el fondo porque nos interesa ante todo lo que somos, quienes y cómo somos.
Las historias que compartimos siempre han sido parte de lo que nos une, los mitos en común son una parte vital de lo que nos convierte en una comunidad, hoy en dia esas historias y mitos surgen en la ficción audiovisual, como descubría el chaman de Doctor En Alaska , en la sociedad occidental gran parte de este “alimento” psíquico reside en el cine y la televisión, es ahí that give rise to new modern myths, symbols shared by the community, that which has been called "pop culture" forms the modern mythology of television and as such has a role as essential or even more than film as it comes in a more immediate, intimate and direct.
In my case, my interest in mythology, symbols and myths that makes me passionate about the stories, regardless of its format (film, tv, novels, comics ...) something reflected in the series but I liked, deeply symbolic and series Carnivale or Battlestar Galactica.
Stories, Campbell said (an author I discovered Chris on Northern Exposure and that has made me fall in love with a work so deeply as campbelliana Supernatural): And although
appointments are not a source of my devotion to realize that sometimes are necessary, especially when you lack the skill to synthesize the best for others, like me, so without a precedent to quote Campbell because I can not most agree or know how to better express what he says,
" stories not limited to fill the leisure time but give it a symbolic content, and since the symbolism is a quality capable of giving pleasure to the human mind, the fascination of the story increases in proportion No direct access to the richness of its symbolic content "
So deep are only new ways, we gathered around a storyteller, we are discussing these stories with others and remains the way to learn about us ourselves and our community, I guess.
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